How to Use Photoshop’s Lasso Tool
Photoshop’s Lasso tool is among the easiest Photoshop tools to master. Using it requires just a handful of steps:
- Select a feathering amount.
- Choose whether to use anti-alias.
- Make the selection.
- Modify the selection (optional).
- Refine the selection.
Step 1: Select a Feathering Amount
There are two ways to smooth out the edges of selections that you make in Photoshop: feathering and anti-alias (see step 2). The feathering feature softens the boundary around a selection, which helps make the transition between the selection and the surrounding pixels less harsh. With the Lasso tool, you specify the amount of feathering to use in pixels—for instance, if you enter 10 pixels into the Feather field in the Lasso toolbar, Photoshop will create a boundary of “softness” 10 pixels deep around the selection. Note that the feathering effect becomes apparent only after you cut, copy, move, or fill in the selection.
What Feathering Amount Should You Use?
The amount of feathering you should use depends on what you intend to do with your selection and also on your personal preference. Some Photoshop users like to keep feathering settings to a bare minimum (1–5 pixels) because higher settings can make the effect look forced, or overly “Photoshopped.” If you intend only to move your selection to another part of an image (or even the same image) with a similar background, you might not need to use feathering at all. For instance, if you were simply moving the orange flower shown here to another part of the image with a pure black background, any feathering effect would be invisible and therefore unnecessary. If you were moving the same flower onto a white background, though, you’d want to use a feathering setting of at least 1–5 pixels to soften the edges of the selection somewhat.


Step 2: Choose Whether to Use Anti-Alias
Anti-alias is a feature that helps smooth the transition between the pixels around the edge of a selection and the pixels in the background that surrounds the selection. Whereas feathering softens the boundary around a selection regardless of its color, anti-alias specifically targets and smooths out the transition in color between the pixels along the edge of the selection and the background pixels. For this reason, anti-alias is especially helpful when moving a selection to another part of an image (or to an entirely different image) that has a different background color. If you want to make a selection that you intend to move to an area with a different-colored background, check the anti-alias checkbox in the Lasso toolbar first.
Step 3: Make the Selection
Once you’ve set your feathering amount and decided whether to use anti-aliasing, you’re ready to make your selection with the Lasso tool.
- Surround the area: Click and drag the mouse around the part of the image that you want to select. You don’t need to trace the boundary of the selection area neatly—you can edit it later if you need to. Just be sure to surround every part of the image that you’d like to select.
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Complete the selection: Once you’ve surrounded the entire area and have returned to the point at which you started the selection, release the mouse button. Photoshop will complete the selection automatically. A line of “marching ants” will mark the selected area.


Using the Polygonal Lasso Tool to Make Polygonal Selections
The Polygonal Lasso tool is a stand-alone Photoshop tool that works just like the Lasso tool but makes selections using perfectly straight lines rather than freehand. You can switch from the Lasso tool to the Polygonal Lasso tool on the fly in the middle of making regular freehand selections—which allows you to make straight-line selections instead of, or in addition to, your freehand selections. This feature can make using the Lasso tool quicker, since it lets you can cover large portions of your selection with a single click rather than tracing manually.
Note that it’s practical to use the Polygonal Lasso tool to make selections only if your intended selection meets two conditions:
- It can be surrounded by straight lines: Some selections are too detailed and amorphous to be captured with anything but a freehand selection.
- You don’t care how the selection boundary looks: If you plan to move your selection to another part of the image (or to another image) with the exact same background, the selection boundary won’t be visible, so you won’t care how the selection boundary looks. But if you plan to place your selection against a background that differs in any way from the selection’s current background, you’re probably better off making a freehand selection and feathering it a bit, rather than making a selection with polygonal lines.
To use the Lasso tool to make selections with straight lines, follow these steps:
- Begin as you normally would: Click and start to make the selection by hand.
- Switch to polygonal lasso mode: Whenever you encounter the part of your selection that you’d like to make with a straight line, click the Alt key (Option on a Mac) and release the mouse button. The cursor will switch from the Lasso tool’s icon to the Polygonal Lasso tool’s icon, which looks like an odd-shaped polygon.
- Draw a straight line: Without releasing the Alt (Option) key and without clicking, drag the mouse to draw a straight line. Click the mouse button to mark the end point of your first line and the starting point of the next line. By using this approach, you can click around the entire selection.
- Repeat step 3 until you surround the selection with a series of straight lines: When you reach the point at which you started the selection, release the Alt (Option) key. Photoshop will automatically complete the selection.
Note that at any point during the selection, you can switch back to standard Lasso mode by releasing the Alt (Option) key and then clicking and dragging as you normally would to make a freehand selection with the Lasso tool. To return to Polygonal Lasso mode, press the Alt (Option) key again and drag without clicking. In this way, you can make selections that have a combination of straight lines (to cover long edges of a selection quickly) and freehand-drawn lines (to get into difficult-to-reach areas of the selection).

Step 4. Modify Your Selection (Optional)
Once you’ve made a selection with the Lasso tool, you can add to it, subtract from it, or select the area in which it intersects with another selection. You can access each of these options by clicking the buttons on the left side of the Lasso toolbar.

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Add to a selection: Click the button in the Lasso toolbar, or hold down the Shift key. A tiny plus sign will appear next to the standard Lasso tool icon. Starting from any point outside the boundaries of the original selection, click and drag to select the area of the image that you’d like to add. Make sure to end your selection on any point along the boundary of the original selection. Photoshop will then add the new selection to the original selection.


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Subtract from a selection: Click the button in the Lasso toolbar, or hold down the Alt button on a PC or the Option button on a Mac. A tiny minus sign will appear next to the standard Lasso tool icon. Starting from any point outside the boundaries of the original selection, click and drag within the selection to select the area that you’d like to remove. With the mouse button still held down, move the cursor outside the selection and release the mouse button. For example, if your selection takes the form of a circle, you’d click outside the circle, drag the mouse over the area inside the circle that you’d like to remove from the selection, and then release the mouse button. Photoshop will then subtract the unwanted area from your original selection.

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Intersect with other selections: This option lets you select and repair the area in which two selections overlap. Photoshop selects only the overlapping portion of the selections and deselects any remaining portion of the selections. The Lasso tool then applies to the selected portion only. To use this feature, click the button in the Lasso toolbar, or hold down Alt+Shift on a PC or Option+Shift on a Mac.

To create an entirely new selection with the Lasso tool at any time, click the leftmost of the four buttons and then make your new selection.
Step 5: Refine the Selection (Optional)
If you’re using Photoshop CS3, you can use the new Refine Edge feature to fine-tune the edges of selections that you make with the Lasso tool. To use the Refine Edge feature, first make a complete selection (see steps 1–4). Once you’ve made a complete selection, click the Refine Edge button in the Lasso’s toolbar. The Refine Edge dialog box will pop up, and your selection will now appear isolated against a white background—the other elements in your image will vanish, but they’ll reappear once you close the Refine Edge dialog box. The dialog box allows you to refine and preview your selection.

Refining Selections
You can refine your selection’s selection boundary (the pixels that make up the edges of the selection) by adjusting the five settings sliders in the Refine Edge dialog box: Contract/Expand, Radius, Contrast, Smooth, and Feather. To set an exact setting without using the sliders, you can type in numbers in the white box above each setting’s slider.
- Contract/Expand: Though this slider is located last in the Refine Edge dialog box, it’s often the most helpful. This slider lets you adjust the scale of the selection boundary. Moving the slider to the left (or entering a negative value) enlarges the boundary, and moving it to the right (or entering a positive value) contracts it. Settings range from –100 to +100.
- Radius: Lets you specify the region of the selection outside the selection boundary that the Refine Edge feature should also adjust. Settings range from 0–250 px.
- Contrast: Sharpens the edges of the selection boundary. Use lower settings for softer edges and higher settings for hard edges. Settings range from 0–100%.
- Smooth: Smooths out especially jagged portions of the selection boundary. Settings range from 0–100.
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Feather: Softens the transition between the selection boundary and the other pixels in the image. Settings range from 0–250 px.

The Refine Edge’s Preview Checkbox
You can preview the results of your slider adjustments on the fly by checking the Refine Edge Preview checkbox in the top right portion of the Refine Edge dialog box. If you don’t have this box checked, you’ll need to click OK in the Refine Edge dialog box to see the results of your slider adjustments in your image. The Refine Edge dialog box will close when you click OK, and you’ll then need to click the Refine Edge button to open it again. So using the Preview feature is a more efficient way to view the results of your adjustments.
The Refine Edge’s Background, Mask, and Quick Mask Preview Feature
At any point while you’re refining your selection, you can use the Refine Edge’s Background, Mask, and Quick Mask preview buttons to preview how your selection looks against various backgrounds, as a mask, or as a Quick Mask. The Refine Edge dialog box provides five preview options, each of which has its own icon: standard view, Quick Mask view, black background view, white background view, and mask view.

- Standard view: Shows the selection with its regular marching ants selection border. Any other pixels in the image will also be visible.
- Quick Mask view: Shows how the selection would appear as a Quick Mask. Double-click this preview option’s icon to adjust the Quick Mask’s settings.
- Black background view: Shows the selection against a black background.
- White background view: Shows the selection against a white background.
- Mask view: Shows the mask that surrounds the selection—the selection will appear white, and the pixels around it will appear black.
You can click each option’s icon to view the results, or press F to cycle through them one by one. Note that this previewing feature differs entirely from the preview feature that you access by clicking on the check box next to the word “Preview” in the Refine Edge dialog box—that feature gives you an instant preview of any adjustments you make to the various settings in the dialog box.
| Acknowledgments & Disclaimer |
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